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Savor: Ray of Light

Writer's picture: boxton9boxton9

Updated: May 26, 2023

Chef Raymond Jackson of Alvin & Friends and his Japanese Slicer


Westchester Home, Spring 2012


Here's my Savor column in layout—sadly, I did not save all the issues from however many years I wrote it, and some of these columns were garbled when they were digitized. That said, I did save a scannable few.


In the last 100 years of kitchen design, the general trend has been that, with each new era, the batterie de cuisine has become more complicated. A century ago, chefs in the top restaurants worked with a basic trio of flame, pot, and pan; these days, even an average restaurant cook is skilled in the use of induction burners and immersion circulators. The progress toward greater intricacy is a boon for the kitchen supply stores that profit from every expensive gadget introduced to the culinary repertoire. But for home cooks, the better news is that some revolutionary designers are trying to streamline the gadgetry, taking even the most overwrought of classic tools and making them cheaper and more functional.


An example of modern simplification is the Japanese slicer, which is a light plastic deck with an angled blade embedded in its center. By scraping vegetables down the deck, chefs can achieve a variety of special cuts—from paper-thin slices and juliennes, to grid or waffle-cuts. The slicer, priced at about $40, challenges the classic French kitchen torture device: the mandoline. The stainless-steel mandoline is identical in function to the Japanese slicer, but it bears hinged, gawky arms that prop the needlessly long, heavy deck into a 45-degree orientation. The mandoline also sports tweaky fittings that require constant adjustment, but the kicker is the mandoline’s prohibitive $160 price tag. Predictably, Japanese slicers have now virtually replaced mandolines in professional kitchens.


We asked Chef Raymond Jackson of New Rochelle’s chic Alvin & Friends to show off this innovative tool’s range. Jackson, an Institute of Culinary Education graduate who cooked at Danny Meyer’s Blue Smoke before heading up the New Rochelle kitchen, says, “I’ve used a French mandoline. Not only have I seen too many injuries with it, but I prefer the light, compact, easy-to-use portability of the Japanese variety.” Freed from the mandoline’s steely grip, Jackson uses the Japanese slicer all over his menus. Here are four recipes that show off what it can do.


NOTE: You may find the Benriner Japanese Mandoline Slicer at Chef Central (45 S Central Ave, Hartsdale 914-328-1376), Harris Restaurant Supply (25 Abendroth Ave, Port Chester 914-937-0404), and online at amazon.com.






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About Me

I Was Supposed to Go to Grad School

Growing up in a large, loud family of 7, they use to call me “Pass Me The, Pass Me The” for the way that I’d try to doctor my dinner with whatever condiments were on hand. At about 8 or 9, I gave up on condiments and took control of dinner entirely, cooking out of a beat-up copy of The New York Times Cookbook that I still own, my little penciled-in annotations intact. I cooked for 7 people nightly, all throughout high school. By the time I was winding up college, I’d become a damn fine cook.

 

My father was a professor of American History. I figured I’d follow in those footsteps, teaching Dickens to 18-year-olds who were not at all interested. I gathered applications to doctorate programs, meanwhile, I took a job as a waiter in a busy catering company. The kitchen where I worked was perpetually understaffed—my cooking skills were quickly identified and I was press-ganged onto their crew. I LOVED it—the excitement, the creativity, the freedom, the trench humor, learning professional cooking techniques. There I stayed for several years while my graduate school applications gathered dust.

 

Cue me, later, a refugee from a crash-and-burn restaurant opening where I was not only the sous-chef, but also the loan application writer and babysitter for a chef/owner who had gone spectacularly off the rails. By then, I had a couple of herniated discs and no desire to stay in restaurants. I moved back to the world of words, and I’ve never looked back. 

 

Since then, I’ve been a restaurant critic, a national award-winning blogger, a food journalist, a travel writer, a columnist, a cookbook author, and the editor-in-chief of four Edible titles. I can’t wait to see what's next.

 

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