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Restaurant Review: Purdys Farmer and the Fish

Writer's picture: boxton9boxton9

Updated: Dec 15, 2022


Westchester Magazine Restaurant Review, October 2012


By Julia Sexton


This was an interesting opening by Edward Taylor, founder of Down East Seafood Co. ( a sustainability-focused wholesaler based in the Bronx) , and Michael Kaphan, former chef of Zoe in SOHO. Kaphan went on to earn a baccalaureate in agriculture and is responsible for the farming program at Purdy's Farmer and the Fish. I love how I'm complaining about the price of oysters here, a SHOCKING $2.50 ea.!


What makes a hit restaurant? An excellent chef is nice, but it’s not necessary. The same goes for a great location, swank décor, and slick, intuitive service. Beyond the necessity of basic competency, a restaurant’s excellence is pleasant, but not predictive of success. What makes a hit is when a smart restaurateur divines the desires of a bankable community and then opens the only restaurant to offer satisfaction. It’s that simple.


Purdy’s Farmer & the Fish’s genius is that it’s a no-brainer that exploded onto well-heeled North Salem with a pre-sold concept. You know this cuisine and, chances are, you already like it—it’s New England beach-house comfort food that’s familiar to anyone who’s vacationed anywhere from Cape May to Kennebunkport. At Farmer & the Fish, you’ll find freshly shucked shellfish, chowder, and lobster boils, plus fragrant, farm-stand corn and juicy local tomatoes. On the walls, you’ll see your neighbors, tanned and posing with their freshly hooked catches. Smartly, Farmer & the Fish’s photos were (in part) crowd-sourced from its customers, while its digs, a circa 1775 farmhouse (listed on the National Register of Historic Places as the Joseph Purdy Homestead), has been a part of this community for actual ages. On some level, visiting Purdy’s Farmer & the Fish feels like coming home.


Much has changed since this old house’s last incarnation as John-Michael’s Restaurant. A rickety, post-1970 enclosure has been removed to open the porch’s welcoming arms. Inside, walls that once made the rooms feel either intimate or claustrophobic (depending on your view) have been removed to offer a continuous flow around the house’s Revolutionary-era chimney block. Multiple gorgeous hearths remain, while accents like a large American flag and sepia-tinted photos verge into inoffensive Ralph Lauren territory. On the downside, high noise and low light can be hard on some diners, and everyone should prepare for a wait. Even with a reservation, you might find yourself dodging harried waiters in the thronged bar, or even, on weekends, shivering outside its quaint split doors.


It pains me that hepatitis fearers might skip Farmer & the Fish’s open raw bar, which offers a long and oft-changing roster of bracingly delectable oysters. A recent dip found both East and West Coast varieties in all their brimming, glorious freshness, somewhat painfully priced at $2.50 each, regardless of where sourced. Iced king crab legs were cool and buttery (and so satisfying to peel out of their split shells like sea-swimming bone marrow), but Farmer & the Fish’s New England clam chowder is of the starchy, gluey variety. In it, the mild flavor of cooked-’til-rubbery clams was sacrificed to brawnier pork notes. Steamer clams were garlicky and thymey, but still sea briny, and perfect to unsheathe and drag through little pots of butter. Better was a scallop salad that offered four perfectly buttery, creamy scallops with bacon lardons and a perfectly fried egg. Sadly, those gems were buried under a haystack of frisée that seemed to apologize for a perfectly rationally sized starter. It would be better with half of the greens left off the plate.


One of Farmer & the Fish’s charms is that, except for those pricey oysters, it offers perceived value in spades; for a seafood restaurant, it’s actually reasonably priced. On its long wine list, you’ll find decent bottles in the $20 to $40 range (like a cheap and cheerful $27 Vina Robles), plus specials like the at-the-bar-only “Red White & Blue”—Pabst Blue Ribbon (or a choice of house red or white) with Blue Point oysters. Meanwhile, as I write in September, Farmer & the Fish is raising about 80 percent of the produce it serves on its attached farm. This fall, the restaurant plans to debut an attached farmers’ market that promises locally raised produce and meats, plus seafood and some prepared foods (including the restaurant’s crab cakes).


While that chowder might fail, some of the vacation classics are rampant successes, including a perfectly pitched “lobster boil,” a bargain at $25, that offers a one-and-a-half-pound lobster plus steamer clams, red potatoes, and corn on the cob. Admittedly, this is not difficult food to cook, yet still, on both tries, the lobster claws and tail were both steamed to split-second tenderness, while the potatoes offered just enough resistance to my fork. And the corn…well, let’s just say it was a welcome excuse for more butter, as were the three or so steamers. Fish and chips is another star. Fat, hand-cut fries supported large chunks of milky-fleshed, beer-battered cod that had the good taste to be simple. For terrestrials, there is a traditional burger and a nicely charred, grass-fed rib-eye steak that, unfortunately, on one try, arrived with cut corn marred by corn silk. Don’t miss the perfectly cooked fish under the heading “From The Pan”: We loved salty-creamy Icelandic cod served with a mountain of crisp, garden kale.


Of the desserts, the crumbly, warm blueberry peach crisp is best, but buttery, white-chocolate bread pudding makes a close second. Given this joint’s stony fireplaces and untamable, happy energy, you might just want to close your meal with a drink in the hearth-lit bar, reflecting on what makes Purdy’s Farmer & the Fish such a hit. Is Purdy’s Farmer & the Fish an excellent restaurant? No—but it is a supremely thoughtful one. I know I’m looking forward to many happy returns.

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About Me

I Was Supposed to Go to Grad School

Growing up in a large, loud family of 7, they use to call me “Pass Me The, Pass Me The” for the way that I’d try to doctor my dinner with whatever condiments were on hand. At about 8 or 9, I gave up on condiments and took control of dinner entirely, cooking out of a beat-up copy of The New York Times Cookbook that I still own, my little penciled-in annotations intact. I cooked for 7 people nightly, all throughout high school. By the time I was winding up college, I’d become a damn fine cook.

 

My father was a professor of American History. I figured I’d follow in those footsteps, teaching Dickens to 18-year-olds who were not at all interested. I gathered applications to doctorate programs, meanwhile, I took a job as a waiter in a busy catering company. The kitchen where I worked was perpetually understaffed—my cooking skills were quickly identified and I was press-ganged onto their crew. I LOVED it—the excitement, the creativity, the freedom, the trench humor, learning professional cooking techniques. There I stayed for several years while my graduate school applications gathered dust.

 

Cue me, later, a refugee from a crash-and-burn restaurant opening where I was not only the sous-chef, but also the loan application writer and babysitter for a chef/owner who had gone spectacularly off the rails. By then, I had a couple of herniated discs and no desire to stay in restaurants. I moved back to the world of words, and I’ve never looked back. 

 

Since then, I’ve been a restaurant critic, a national award-winning blogger, a food journalist, a travel writer, a columnist, a cookbook author, and the editor-in-chief of four Edible titles. I can’t wait to see what's next.

 

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